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UNIVERSAL PHOTO ART COMPANY
Philadelphia, Pennsylvania - Naperville, Illinois
The
Universal Photo Art Company was one of several business
titles under which photographer Carlton Harlow Graves sold his
photographs late in his career. He was the son of Jesse Albert
Graves, an important early worker who was based in the Delaware
Water Gap area of Pennsylvania in the 1860-1880 time frame and
produced some 500 generally fine scenic views of the western
part of the state. Carlton learned the photographic art from
his father and moved to Philadelphia to began producing on his
own in about 1880. In his early years, he seems to have taken
all the views which he published, but he soon began to buy or
pirate images from others. Stereoviews issued under his own
name are extremely rare.
At
its peak, The Universal Photo Art Company seems to have been a rather
substantial outfit. In addition to the headquarters offices and
production facilities in Philadelphia, there was a western
branch in Naperville, Ill., under F. A. Messerschmidt as general
manager. There are numbers listed to almost to 5,000, although
the number of individual photos actually used is only about
1,300. By the late 1890’s, C. H. Graves company became a major
publisher offering "Art Nouveau Stereographs" on light gray
curved mounts. His trade list offered excellent views of hunting
scenes, Jamaica, Japan, Java, New York City, Palestine and others.
To compete with low priced lithographs and copies, Graves
offered his "Universal Series" or "Universal Views" on black
mounts with no credit to himself. These have the number and the
title in the negative and were sold at a reduced price from the
regular "Art Nouveau" issues. Graves also offered boxed sets but
they were not sold in the quantities of
Underwood and Underwood,
the Keystone View Company and
H. C. White. The company seems to have
been active until about 1910 when its stock of negatives were
sold to Underwood & Underwood and
presumably went from there to the
Keystone View Company with the rest
of the Underwood photos.
The
Yellowstone views can be divided into 3 categories:
The
Low Number Series on gray mounts. To date only #10 – #12 are
known. These views may have been part of one of the rare
boxed-sets issued by the company. The views likely were part of
a larger non-Yellowstone boxed-set.
The
5000 series on orange mounts with the titles in white
lettering over photo in lower right. For this style I have only
seen one view. It is 5337 of Jupiter Terrace and it is shown
below. I don’t think it’s part of an official set, but rather
just one of a few random Yellowstone views.
The
unnumbered series on gray mounts. The titles on these views
correspond directly to the numbered 5500 series in the Universal
Photo Art Company catalog that was issued during the 1900’s.
These views are copyrighted 1902. They are numbered 5562-5568 in
the catalog but show no numbers on the actual view.
5337? Yellowstone Nat. Park, Jupiter Terraces.
Orange mounts by the Universal Photo Art Co.
are quite rare. The numbers on these mounts are quite hard to
read and do not match the numbers from the company’s original
catalog.
Gem Terrace, formed from the overflow of the hot mineral springs,
Yellowstone National Park.
Copyright 1902 by C. H. Graves.
This type of gray mount is the more common
type of view. It credits the Universal Photo Art Co. on the
left and has the city of publication, Philadelphia, on the
right.
Nature’s handiwork, Pulpit Terrace, Yellowstone National Park.
Copyright 1902 by C. H. Graves.
Another type of gray mounts that are often
seen are the "Art Nouveau Stereographs" (credited on the left
side). These views are still quite common today..
UNIVERSAL PHOTO ART COMPANY VIEWLIST
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